about hannah
A Southern California native, Hannah March (she/they) is a dancer, choreographer, teaching artist and writer, now based in Seattle, WA. She is a graduate from the BFA Dance program at Cornish College of the Arts in Seattle, Washington where they received the Kreielsheimer Foundation, Cornish Merit, and Cornish Foundation scholarships. Through her time in Seattle, she has been able to work and train with artists including Wade Madsen, Alia Swersky, Charlotte Boye-Christensen, Keyes Wiley, Alethea Alexander, Pat Graney, Rebecca Lemme, and Mike Esperanza. Additional professional intensive/workshop training with Acts of Matter - Rebecca Lemme (Los Angeles), Boulder Jazz Dance Workshop (Boulder, Colorado), and Whim W’him Contemporary Dance (Seattle). In 2019, Hannah danced as an apprentice for Interweave Dance Theatre, and has had her writings published with SeattleDances in 2024. As a choreographer, March is deeply inspired by dynamics and psychology of relationships, shared experiences within human connection, and and the almost “magic” that occurs alongside. Since graduating, Hannah has served as the Admission Counselor of Dance + Music at Cornish College of the Arts, and she currently dances with SLOWBURN Dance Company under the direction of Meredith Pellon. They are eager to further their dance and artistic career in the Seattle community and beyond.
ARTIST STATEMENT
As a dancer, I try to approach any opportunity and space with an open and eager mind. I like to be transparent to what possibilities are available to me and my experiences within dance. The multitudes of dance spaces I enter are seen as a classroom, but are also equally viewed as a playground.
What can I learn? How can I play and keep my curiosity flowing? How can the others I share space with inspire me and help in providing new perspectives?
Maintaining a strong and loving community with those I share space with is held with a great, personal significance. Relationships that bloom and exist within dance spaces are such an important part of my experience which is why I continually intend to bring love, acceptance, and positivity to any setting I am a part of.
As a choreographer and with the work I create, of course, I naturally find inspiration in my personal lived experiences, but in a broader lens, I am inspired by relationships that form, affect, and guide us and the specific qualities in communication, emotion, and the translation of that into movement.
It’s own dialogue, if you will.
I believe that these conversations and stories can be told and portrayed by any and all bodies, as the experience itself isn’t subjective.
A lot of my movement within the contemporary realm is genuine, effective, and in relation to another. It is communicative whether performed as a solo, ensemble, or in conversation from mover to mover. Other qualities of my choreography include cause and effect, intricacies, expansiveness, and intentional timing. Aspects of my created movement are a result of my training and knowledge within contemporary and many black-derived dance forms. I am thankful for the opportunities I've received in training and dance historical knowledge for these genres.
Culturally, I am inspired by the communities that surround me. Whether they are socially organized, close with love and care, or close by proximity, they are equally taken into account. That's how I've viewed this my entire life.
As a queer womxn and ally to all, I find significance in diversity and inclusion of all bodies and backgrounds. This is a large fraction of the overall artistic environment I like to facilitate in any space or piece of work I create.
headshot & top photo background by Iy Cardona
bottom photo background by Joseph Lambert